马隆布拉[电影解说] 电影解说

片名:《马隆布拉[电影解说]》

类型:短剧

上映时间:1942

上映地区:其它

导演:Mario Soldati

主演:Isa Miranda,Andrea Checchi,Irasema Dilián,Gualtiero Tumiati,Nino Crisman,Enzo Biliotti,Ada Dondini,Giacinto Molteni,Corrado Racca,Luigi Pavese,Nando Tamberlani,Doretta Sestan,Paolo Bonecchi,Elvira Bon

集数: 更新至0集

语言:

【芝士圈影院】分享马隆布拉[电影解说]全集完整版在线观看蓝光播放地址，马隆布拉[电影解说]是一部讲述生活题材的短剧，由知名导演Mario Soldati执导拍摄，运用不同的拍摄手法，让观众感受到不同的观影体验；马隆布拉[电影解说]的剧情跌宕起伏，故事情节推进节奏流畅，是一部很有代入感的好看的短剧。

《马隆布拉[电影解说]》观后点评：马隆布拉[电影解说]的台词设计幽默智慧，让人印象深刻的同时还很有思考意义；马隆布拉[电影解说]的音乐恰到好处，烘托了马隆布拉[电影解说]的剧情氛围，是一部很好看的短剧。

《马隆布拉[电影解说]》抖音网友点评：马隆布拉[电影解说]的场景画面精美，吸引观众的目光；马隆布拉[电影解说]的故事情节跌宕起伏，打动了观众的情感，让人感到震撼；是1942年上映的热门短剧。

马隆布拉[电影解说]讲述了：This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, had it not been made in Italy during the Mussolini regime. A gross injustice, as Malombra - unlike Piccolo Mondo Antico, Mario Soldati's earlier film of an Antonio Fogazzaro novel - contains not one moment of triumphalist flag-waving or Fascist family values. Oddly akin to Rebecca in its atmosphere of death-haunted romance and voluptuous doom, it reaches a peak of visual refinement of which Hitchcock could only dream.　　Its star is Isa Miranda (famous, and not without reason, as Italy's answer to Garbo and Dietrich) playing a headstrong but unstable young noblewoman, confined by her uncle to a gloomy villa on the shores of Lake Como. A yellowed and crumbling letter, found in an old spinet, convinces her that she is the reincarnation of her uncle's first wife - another troubled beauty who died a virtual prisoner after being caught in a forbidden love affair. When a handsome young writer (Andrea Checchi) comes to stay, Miranda decides that HE is the reincarnation of the dead woman's lover. Gradually, she lures him into her web of sex and revenge...　　What more to say without spoiling the fun Miranda gives a performance to rival any of the great divas of Hollywood. Only Davis and Stanwyck, perhaps, could play a bad girl so boldly without losing all sympathy. The evocation of 19th century aristocracy, in its full decadent splendour, is visually and dramatically flawless - a model for such later Italian gems as Visconti's Senso and The Innocent.　　It helped, perhaps, that Soldati himself was a leading novelist. Blessed with an absolute respect for the classics he adapted, but in no way inhibited by them. He was also the guiding spirit of the now-forgotten 'calligraphic' movement, which brought the Italian cinema to such wondrous aesthetic heights during World War Two, only to collapse before the horror of Neo-Realism. Can we blame Soldati for giving up film-making in disgust and going back to writing novels　　So if you've ever felt (as I do) that Rossellini's much-touted Rome - Open City is the work of an amateur...well, Malombra is the film you have to see!